马尔切洛·埃尔南德斯:美国男孩
马尔切洛·埃尔南德斯
马尔切洛·埃尔南德斯
Candace Cameron,Bure Paul,娜塔莎·布尔
本尼迪克特·康伯巴奇,伊丽莎白·奥尔森,切瓦特·埃加福,王汉斌,克索斯利尔·戈麦斯,瑞秋·麦克亚当斯,迈克尔·斯图巴,帕特里克·斯图尔特,海莉·阿特维尔,约翰·卡拉辛斯基,拉什纳·林奇,安松·蒙特,查理兹·塞隆,希拉·阿蒂姆,亚当·赫吉尔,亚子·米切尔,杨沫沫,丹尼尔·斯温,多波·雷斯尼怀罗,伊登·纳森森,维尼·莫利,大卫·谢,乔丹·亚历桑德拉,迈克尔·沃尔德伦,朱利安·希威德,杰特·克莱恩,布鲁斯·坎贝尔,马里安·洛伦西克
莱昂纳多·迪卡普里奥,西恩·潘,本尼西奥·德尔·托罗,雷吉娜·赫尔,缇雅娜·泰勒,蔡斯·英菲尼迪,伍德·哈里斯,阿拉娜·哈伊姆,D·W·莫菲特,约翰·胡热那克,莎娜·麦克黑尔,布伦达·洛伦娜·加西亚,特雷西·托德,吉姆·安德森,博格丹·舒米拉斯,约翰·德马卡斯,马特·斯波尔尼克,贾斯汀·S·麦克达维特,杰克·特劳特,罗布·戈尔
马丁·拉波德,Michael Finger,Claude-Oliver Rudolph
罗伯特·罗西里尼
霍建起
陈嘉上
麦克·李
莉丽亚娜·卡瓦尼
马可·贝罗奇奥
格里菲斯
吴贻弓
高岛忠夫,中村哲,藤山阳子,藤木悠,佐原健二,上原谦,小泉博,田崎润,田岛义文,平田昭彦
哈德维奇·米尼斯,Yootha Wong-Loi-Sing,乔纳斯·斯莫德斯,Sinem Kavus,马德奥·范·德·格里恩,Mustafa Duygulu,Sabri Saad El-Hamus,Daniël Kolf,佐伊·洛夫·史密斯,Martijn Oversteegen,Simon van Lammeren,Richelle Plantinga,Tim Olivier Somer,Tony van der Veer,Jelisa Van Schijndel
洪卫,刘冠霖,葛佳佳,郭广平,周惠林
邓超,董子健,雷佳音,王圣迪,丁程鑫,王彦霖,邓飞,张震,辛芷蕾,郭京飞,常远
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
A budding art restorer travels to a small Italian village to bring a medieval painting back to its former glory. Little does she know she is placing her life in danger from an evil curse and a monster born of myth and brutal pain.
朴信阳饰演父亲车胜道(音译),李民基(李暋起)饰演潘神父(姓为音译)。 该片讲述在为女儿举办葬礼的三天时间中,与寄生在死去女儿心脏中突然苏醒的恶魔进行斗争的超自然电影。
Kate Marie Davies,Barrington De La Roche,David Lenik,Rowena Bentley,Toby Wynn-Davies,Peter Cosgrove,Joe Street,Dylan Curtis,Sam Lane,Jackson Wright,Kate Llewellyn,Adam J. Morgan,Tim J. Henley,Harrison Nash,Jack Miller
Karan Ashley,约翰尼·扬·博施,Steve Cardenas,杰森·弗兰克,艾米·乔·约翰逊,David Yost,Paul Schrier,Jason Narvy,保罗·弗里曼,加布里埃尔·费茨帕特里克
杰森·伦敦,罗伯特·英格兰德,Gianni Capaldi,洛丽娜·卡姆布罗瓦,黛安娜·柳贝诺娃,阿塔纳斯·斯雷布雷夫,Nikolay Valentinov Lukanov,John Strong,斯蒂芬·施特雷夫,Julieta Koleva,Todor Dotsev,Dimitar Banchev,Lyuben Popov
张达明,蔡少芬,伍咏薇,黎耀祥,雷宇扬,徐锦江,梁荣忠,许绍雄,莫少聪,傅明宪,朱洁仪,陈国邦,陈怡芳,高林生
伊利亚·伍德,卢克·柯比,阿莱卡萨·帕拉迪诺,罗伯特·帕特里克,W·厄尔·布朗,Gilbert Owuor,克里斯蒂安·克莱门松,雨果·阿姆斯特朗,尼卡恩·罗宾逊,威尔·哈里斯,Emily Berry,Steven Pritchard,Jarrett Sleeper,道格·考克斯,汤姆·维图
丹尼尔·祖瓦图,邦妮·丹尼森,克里斯·康罗伊,乔尼·奥尔西尼,葛瑞芬·纽曼,Mackenzie Rosman,马克·马戈利斯
光良,曾宝仪
詹姆斯·斯派德,库尔特·拉塞尔,艾利希斯·克鲁兹,韦薇卡·琳德佛斯,杰曼·翰苏,艾瑞克·阿瓦利,杰伊·戴维森,米莉·阿威塔尔
小杉健,三浦诚己,菜叶菜
卢博尔·托科什,Arnost Navrátil,米罗斯拉夫·霍卢布,弗兰蒂泽克·斯列格尔,Václav Kyzlink,Jana Zatloukalová,休·唐斯,Frantisek Cerný,奥托·希曼内克,Václav Trégl